This article needs additional citations for. Unsourced material may be challenged and removed. (January 2010) Jazz Bass Manufacturer Period 1960–present Construction Body type Neck joint Woods Body Neck Fretboard Hardware Bridge Fixed Usually two Colors available Various 2- or 3-color sunbursts Various shades of white, blue, red, green, etc. The Jazz Bass (or J Bass) is the second model of created.
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It is distinct from the in that its tone is brighter and richer in the midrange and treble with less emphasis on the. It has a more focused tone than the Precision Bass, with less low end and low midrange. The sound of the Jazz Bass has been fundamental in the development of signature sounds in certain musical genres, such as, and. Contents. History First introduced in 1960 as the Deluxe Model, it was marketed as a stablemate to the guitar which was also marketed as a Deluxe Model in its own right. It was renamed the Jazz Bass as Fender felt that its redesigned neck—narrower and more rounded than that of the Precision Bass—would appeal more to musicians.
The Jazz Bass has two with two pole pieces per string. This gave the bass a stronger treble sound to compete with the bass, which had been introduced in 1957 and was famously 'bright'.
As well as having a slightly different, less symmetrical and more contoured body shape (known in Fender advertising as the 'Offset Waist Contour' body), the Jazz Bass neck is noticeably narrower at the nut than that of the. While the Precision Bass was originally styled similarly to the guitar, the Jazz Bass' styling was inspired by the guitar, with which the Jazz shared its offset body and sculpted edges that differentiate it from other slab-style bass bodies. The original intention of the instrument was to appeal to upright bass players.
The original Jazz Bass had two stacked knob pots with volume and tone control for each pickup. Original instruments with this stacked configuration are highly valued in the vintage guitar market. In late 1961 it received three control knobs: two controlling the volume of each pickup and one the overall tone. Despite this new feature, many stacked knob models were made until about 1962. Another feature the initial models had were the 'Spring Felt Mutes', which were present on basses from 1960 until 1962.
The purpose of those mutes was to dampen the overtones and the sustain, and were screwed in place between the bridge and aft pickup. Those felt mutes were not a tremendous success, and were replaced by a cheaper, more simple foam mute glued underneath the bridge cover as was used by the Precision Bass from 1963 onwards.
Over the following years as the use of mutes gradually declined both the Precision and Jazz Bass models eventually began to be produced without bridge/tailpiece covers. A number of cosmetic changes were made to the instrument when CBS purchased the Fender companies in 1965. During 1965/66 the Jazz Bass received bound rosewood with dot position inlays (which replaced the older 'clay'-style of the early 1960s) and oval-shaped. Block-shaped fingerboard inlays and an optional maple fingerboard were introduced after 1966/67. At first necks with rosewood fretboards received pearloid blocks/binding and maple fretboard necks received black. Fender switched to pearloid blocks/binding on all necks in mid-to-late 1973. Fender also switched to the three-bolt neck 'micro-tilt adjustable' neck and the 'bullet' in mid-to-late 1974 before reverting to the more standard four-bolt neck fixing and dot-shaped fretboard markers in 1983.
White pickup covers and a pickguard/control plate were introduced the same year. In 1986 Fender introduced the Japanese-made, also with micro-tilt neck, designed by John Page and intended to be an Elite version of the Jazz Bass; however, the radical styling was not popular and production ceased the same year. American Standard Jazz Basses produced between 1989 and 1994 1⁄ 2 featured a larger body shape, a 'curved' neck plate set into a chambered pocket for greater sustain and a 22-fret neck, similar to that of a, with a standard vintage-style top-load bridge, two separate volumes and a master TBX tone circuit. Usually known as 'Boner' Jazz Basses, these early American Standard models (designed by George Blanda, who was Fender's senior engineer during that period) were discontinued in 1994 and shouldn't be confused with the, which has the same 22-fret neck design, but utilizes a different (downsized) body styling, pickups, 'Elite' fine-tuner bridge on the four-string model or high-mass bridge on the 5-string model, and -designed active electronics. Unlike the, which had an optional maple neck, the Boner Jazz Bass was offered only with a rosewood fingerboard. The Jazz Plus Bass was available with an alder body and the option of a natural-finish ash body on the four-string model for a $100 upcharge, either a maple or rosewood fretboard on the four-string and pau ferro (an exotic hardwood whose tone is brighter than rosewood yet warmer than ebony) on the five-string.
The Jazz Plus debuted in 1989 (the five-string model was released in 1990), discontinued in 1994 and replaced by the Jazz Bass the following year. Jaco Pastorius playing his 1960 Jazz Bass, on November 27, 1977 A fourth push button control is available on American-made Jazz Basses produced between mid-2003 until 2008.
Known as the 'S-1 Switch', this feature allows the pickups to operate in standard, or alternatively in when the switch is depressed. While in series, both pickups function as a single unit with one volume control, giving the Jazz Bass a sound more similar to the Precision Bass. The two pickups are built to be opposite from each other in both magnetic polarity and electrical phase, so that when heard together, hum is cancelled—the effect. The Highway One Jazz Bass is a moderately priced American-made bass introduced in 2003, featuring a Leo Quan BadAss II bridge with grooved saddles, Posiflex graphite neck support rods, 1970s styling and a Greasebucket tone circuit since 2006.
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In 2008, the American Series models were replaced by a new American Standard line, which greatly differs from the first-generation American Standard Series basses introduced in 1994. The 2008 American Standard Jazz Bass retained the 'American Series' rolled-edge neck with highly detailed nut and fret work, as well as the familiar rounded body shape with the vintage body radius, but deleted the S-1 switching system and incorporated a new high-mass vintage bridge, Hipshot lightweight vintage-style tuning machines, a richer and deeper neck tint, gloss maple or rosewood fingerboard and satin back for smooth playability. It also has a thinner finish undercoat that lets the body breathe and improves resonance. In March 2012 Fender updated the American Standard Jazz Bass (except the five-string version) with Custom Shop 1960s Jazz Bass pickups. To celebrate the 50th anniversary of the Jazz Bass, first introduced in 1960, Fender released in 2010 the 50th Anniversary Limited Edition Jazz Bass.
This bass sports a selected alder body finished in a Candy Apple Red nitrocellulose lacquer and incorporates design elements from several periods in the instrument's history, including 1960s-era lacquer finish, headstock logo, chrome bridge and pickup covers, 1970s-era thumb rest and bridge pickup positioning, modern-era high-mass bridge and Posiflex graphite neck support rods. Design features. A typical Fender Jazz Bass. The Jazz Bass has a bright sound, with more high end than the Precision Bass. This makes it ideal for playing as well as finger-style players. This bright sound is due to the fact that there are two pickups at different points in the string's length.
The bridge pickup gives a tone with more treble, while the neck pickup will yield a rounder sound. The ability to blend the volume of both pickups allows for a wider variety of tones than the Precision Bass can produce. Pickups are RWRP (reverse wound, reverse polarity) from one another, so all hum will be canceled when both pickups are at full volume. Having both pickups cranked up at full volume produces the classic scooped, 'growling' sound which many players—such as and —use for slap bass playing. This sound is the product of certain frequencies from both pickups being out of phase and cancelling each other, leaving a 'scoop' on the midrange.
This is similar to what happens on some guitars when you blend the sounds from two different pickups, such as the Fender Stratocaster. Some 'Deluxe' Jazz Bass models feature an active pre-amp (usually with three bands of equalization) in place of a single passive tone control; these basses have three separate equalizer controls: bass and treble responses are controlled by the base and top of a stacked double pot, while midrange is controlled by a second knob. They came with 22 frets, abalone dot position inlays and an 18-volt power supply on some models. Known as Jazz Bass Deluxe since introduced as part of a major reworking of Fender's Electric Bass lineup in 1995, they have been renamed the to the public as of August 2000 in a Bass Player magazine review of the new ' Fender American Deluxe Precision V' five-string counterpart model to the American Deluxe Jazz Bass. The American Deluxe Jazz Bass (available in four-string fretted and fretless, five-string fretted and left-hand versions) featured two Samarium Cobalt Noiseless Jazz Bass pickups, designed by pickup designer Bill Lawrence. Fender used downsized bodies to accommodate the 22-fret neck and reshaped the pickguard with nine screw holes.
American Deluxes produced between 1995 and 1999 were initially available with 'single-pole' pickups designed. These were soon changed to the Bill Turner-designed units with nickel-plated (gold-plated on certain models) polepieces until the advent of the -designed series in 2004. Other refinements include a strings-through-body/top-load bridge, Posiflex graphite neck support rods, rolled fingerboard edges, highly detailed nut and fret work. Five-string versions are presented with a 4+1 tuner arrangement and two Hipshot string trees since 2002.
The asymmetrical five-bolt neck plate, along with the smooth contoured heel allow much easier access to the upper registers. Bound fingerboards with pearloid block inlays were added with the introduction of the American Deluxe Jazz Bass FMT & QMT in late 2001, featuring flamed or quilted maple tops and gold-plated hardware. Fender discontinued these models in 2007. In 2010 the American Deluxe Jazz Bass has been updated with a pair of N3 stacked-coil Noiseless Jazz Bass pickups, an active/passive toggle switch, CBS styling and a 21-fret bound compound radius maple neck featuring rosewood or maple fingerboards with rectangular block inlays.
Other features include Hipshot vintage lightweight tuners, 'Strong Arm' string retainer bar for the A and low B strings, and Fender's High Mass Vintage (HMV) bridge. The American Deluxe series was discontinued in 2016. The American Elite Jazz Bass, introduced in 2016, sports a compound modern C-to-D neck shape, fourth-generation noiseless pickups, a 'spoke-wheel' truss rod system for easier neck relief adjustments and a new asymmetrical neck heel. It is offered with a compound radius rosewood or maple fingerboard, in 4 and 5-string versions. The Mexican Deluxe Active Jazz Bass combines many of the features of the American Deluxe models with a traditional Standard Jazz Bass body, vintage-style hardware, a contoured neck heel and a 12'-radius 20-fret rosewood or maple fingerboard.
It comes in 4 and 5-string versions and sports a three-band active circuit powered by two dual-coil ceramic Noiseless Jazz Bass pickups and an 18V power supply with an active/passive switch (as of 2016). The Custom Classic model was made at the. This Custom Shop Jazz Bass was a cross between the American Vintage and the. Features include an oversized select alder or premium ash body, a modern 34'-scale C-shape maple neck with an unbound rosewood, or maple fingerboard featuring triangular pearloid block inlays and 21 medium-jumbo frets. Available in four- and five-string versions, all Custom Classic Jazz Basses came with a pair of custom-wound dual-coil Jazz Bass pickups, a three-band active preamp, five-bolt neck plate, 18V power supply and a Deluxe string-through-body/top-load bridge with milled nickel-plated brass saddles. Models manufactured prior to 2003 (formerly known as American Classics) were identical to the mid-1990s American Deluxe basses in appearance, excepting the 22-fret bound maple neck featuring a rosewood fretboard and white block inlays. Fender discontinued the five-string version in 2009.
The Custom Classic four-string Jazz Bass has been renamed Custom Active Jazz Bass as of 2010, featuring Fender's high-mass vintage (HMV) bridge and a 1960s Jazz Bass 'U' shape neck. The Standard Jazz Bass model is sanded, painted and assembled in Ensenada, Baja California along with the other Standard Series guitars. As of December 5, 2008, the Standard J-Bass has been updated with CBS era-style decals, a three-ply parchment pickguard and a tinted maple neck with rosewood or maple fingerboard (also available in a version with a rosewood fingerboard and 20 inlaid white fretline markers). Other features include two staggered bi-pole single-coil pickups and a return to the black bakelite control knobs. Models produced before 2003 came for a period with black Stratocaster control knobs.
The five-string version (introduced in 1992), available with pau ferro or rosewood fingerboard and a five-in-line tuner configuration with Gotoh Mini machineheads (c. 2006), has been updated with a tinted maple neck featuring a dark rosewood fingerboard and a 4+1 tuner configuration with Fender/Ping tuning machines as of 2009.
All five-string Jazz basses came with fretboard since 1990 (some models were also available with a plain neck option). Offers its 5-string basses with or fretboard as of 2006 after discontinuing the fingerboard option in late 2005. In 2008, Fender introduced the fretted and fretless signature models, its first six-string Jazz Basses to feature a 9.5' to 14' compound-radius fingerboard. Fender has designed signature Jazz Bass models for notable players including:, and Marcus Miller.
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24-fret Jazz Bass In July 2005, introduced its first 24-fret bass since the, the Fender Jazz Bass 24. The Jazz Bass 24 featured a sleek body, a 34'-scale length, modern 'C' shaped maple neck with a two-octave rosewood fingerboard, abalone dot inlays, 24 medium-jumbo frets, Hipshot-licensed tuners, Fender/Gotoh High Mass top-loading bridge, two custom-wound SJB-3 Quarter Pound pickups, a passive/active push/pull volume knob and a 3-band active EQ with a 'slap' mid-scoop switch. It was available in the Fender price list as part of the Deluxe Series line, with Cherry Sunburst (discontinued as of 2007) and Tobacco Sunburst finishes over a quilted maple top and chrome-plated hardware. The 5-string version was introduced in 2007. In 2008, Fender offered both the four- and five-string versions of the 24-fret Jazz Bass in a stealthy Flat Black finish (with matching headstocks and hardware).
These two-octave Jazz Basses were gone from the Fender pricelist as of 2009. Fender Jazz Bass 24 were made in. Fender Jaguar Bass. Main article: In 2005, Fender introduced the, as of 2008 available in Hot Rod Red, Olympic White, Sunburst and Black finishes, with a three-ply white or tortoise pickguard. This is a variation on the traditional Jazz Bass design—differences being that it has only one master volume and tone, but additional on/off switches for pickup selection, series/parallel switching, and a two-band active preamp with bypass switch. The Jaguar bass retains the slim Jazz neck, bi-pole pickups, /Jaguar body design and the trademark Jazz Bass growl.
As of 2008, the Jaguar Bass comes in Olympic White and three-colour Sunburst finishes, together with a four-ply brown tortoise shell pickguard. These colours were previously available only for the Japanese domestic market. In 2012, Fender also introduced the Reverse Jaguar Bass in its line of Pawn Shop Series guitars. This special issue features a reversed body stock orientation, and also reverses the humbucking pickups for a unique tone.
Fender also offers several models of the Jaguar Bass in the Squier line (and an American Standard version since 2014), most with a Precision/Jazz 'P-J' pickup configuration. See also. References. Bacon, Tony (2000). 50 Years of Fender: Half a Century of the Greatest Electric Guitars.
London: Backbeat Books.
From some blog i found on google: 3. On post JV, SQ and A series, serial numbers are stamped at the back of the neck near the pocket. E series can have it either at the back of the neck or at the headstock. Some special models have it on the headstock usually on signature model Jazz like Marcus Miller, P-Bass special (those with PJ pickup) and standard (not re-issues) P-Bass. Some MADE IN JAPAN at the back of the headstock were also written in Italics.
Some signature models like the Marcus Miller Jazz and Geddy Lee Jazz seemed not to follow the basic serial numbering. In fact some of them use 's/n' instead of 'SERIAL NUMBER' and some also starts with 'A' or 'B' prefix even if these are manufactured recently. Really confusing. Anyone know anything about Fender Marcus Miller jazz Bass serial numbers? Mine's B007066, and I'd kind of like to know what year it was made. I have heard that Fender Japan started over in the alphabet for the starting letter of the serial number, in 1998.
That's also the year the MM signature model started. So, I guess a 'B' would be 1999?
Guesswork but if anyone has any information, I would appreciate it. Yes, that's the MM in question, in my profile photo. Sorry for the zombie thread, but you know how people hate it when you start a thread on something that was already covered at some point in the last decade.
Thanks in advance to anyone with more definitive info or resource. Anyone know anything about Fender Marcus Miller jazz Bass serial numbers? Mine's B007066, and I'd kind of like to know what year it was made. I have heard that Fender Japan started over in the alphabet for the starting letter of the serial number, in 1998. That's also the year the MM signature model started.
So, I guess a 'B' would be 1999? Guesswork but if anyone has any information, I would appreciate it. Yes, that's the MM in question, in my profile photo. Sorry for the zombie thread, but you know how people hate it when you start a thread on something that was already covered at some point in the last decade. Thanks in advance to anyone with more definitive info or resource. And others wondering about dating their Fender Marcus Miller jazz basses- OK, I think this is where I got my information re: Marcus Miller Fender Jazz dates (link below). The Marcus Miller model first came out in 1998.
'Standard' dating methods tell people B is from 1985, obviously not in this case since that would be 13 years before MM models came out. In fact, what happened is that in 1997-98, Fender started over in the Japan date series, going from 'V' in 1996-97 back to 'A' in 1997-98, and then continuing onward. B is therefore 1998-99, which I am calling a '99. It is the second year of the Marcus Miller Jazz bass models.
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To become a supporting member click on Paypal Donate button at the bottom of this page. WARNING: Ozbassforum.com and its staff take no responsibilites whatsoever for any transactions that occur in this forum. Use at your own risk. FS Sadowsky Loaded Fender Marcus Miller Jazz Bass You all know MIJ Fender Marcus Miller Jazz Bass 4 Strings It has Serial Number of R088xxx A model from Year 2004-2006, Made in Japan The stock pre-amp and pickups were replaced with Sadowsky On-board Pre and pickups.
This bass sounds GREAT. So punchy and Powerful. Following are The Sadowsky parts being sold at Bass Gear Direct and their retail price. It was more than $600 mods.
I am asking for $1,700. Sadowsky Single Coil J/J Pickups - 4 string Version $255 Sadowsky Onboard Preamp Kit with Vintage Tone Control $370 Specifications Body: Ash Neck: Maple Fingerboard: Maple (7.25' Radius/184 mm) Scale Length: 34' (864 mm) No. Of Frets: 20 Medium Jumbo Frets Width @ Nut: 1.500' (38 mm) Machine Heads: Vintage Style Pickups: Sadowsky Single Coil J/J - 4 string 2 Way Mini Toggle Switch is a MUTE Switch Now Controls: 2 Volume Controls (Neck and Bridge), Active Bass Boost/Cut and Treble Boost/Cut Controls Vintage Tone Control (VTC) also a Pull On and Off Active/Passive Control Pickguard: 3-Ply Black (B/W/B) Bridge: Leo Quann Badass II Unique Features 'Bullet Truss Rod Adjustment, 3-Bolt Neck Plate, Satin Finish Neck With White Binding And White Pearl Block Inlay, Separate Cover For Battery Compartment.
'Roger Sadowsky started out as a guitar technician. NY studio musicians would take their guitars and basses to him for alignments, fret jobs, new pickups, etc. That's what he originally did for me. One day he suggested I change my bridge from the standard Fender bridge to a 'Badass' bridge. He also suggested he install an onboard preamp in my bass to boost the highs and lows.
That bass is now a part of history. Since then, Roger has created his own bass, guitar and preamp line (Sadowsky). I own several Sadowsky basses and his Outboard Preamp. It really makes the bass sound phat.
Used Marcus Miller Jazz Bass
Thanks for giving me that Marcus Miller sound!' — MARCUS MILLER. 'Marcus Miller’s combination of soulful groove and astounding technical ability has made him one of the jazz world’s preeminent virtuoso bassists. Fender’s stylish Marcus Miller Jazz Bass guitar is soulful and astounding, too. It has an ash body, distinctive black pickguard/control plate and one-piece C-shaped maple neck with a 7.25”-radius maple fingerboard featuring white binding, white pearl block inlays and a satin finish (gloss finish on the headstock, plus Miller’s signature). Tonal magic comes from a pair of vintage-style Jazz Bass single-coil pickups; the two-band active EQ has an active/passive mini-toggle switch. Other features include a chrome neck pickup cover, knurled chrome dome knobs on the volume controls and black Jazz Bass knobs on the tone controls, a Badass® Bass II™ bridge and a three-bolt neck plate.
So I just received my MIM Geddy Lee Jazz Bass and all I can say so far, is that I have never been more disappointed. I chose the 3 Tone Sunburst finish and I wish I hadn't.
I have seen better finishes on MANY Squier basses. There only appears to be one real color and it is brown. The neck on my bass is nice to look at from a distance, but when you get unclose, you can see just how awful the fret ends were dressed.
Running my hand along the neck leaves small scrapes in my flesh. Beside being poorly finished, the bass had small chips of some silicone like material ALL OVER the body when I unpacked it. I thought it may have bee the silica pack was leaking, but I found no leaks and I have no idea what this material is. I can tell you that is is difficult to remove because it has clung to the extra glossy surface of the body.
The bass as is, is totally unplayable. I have never seen poorer action on any instrument from any manufacturer. It will take a few days to get the truss rod adjusted (allowing the neck time to settle in between adjustments). At the end of that time I will reevaluate and see if this thing is worth keeping. Both my MIM Standard Precision and my Indonesian Squier Jazz Bass'77 arrived with a far better setup than this 'Premium' line instrument. I have decided to put it back in its gig bag for the rest of the day as I can't bare to look at it.
I feel ashamed and foolish for having been so excited to receive it. Hopefully my opinion and review will change once I get a proper setup, but I feel like I have been slapped in the face by a fat man's rear end for now. Has onyone else experienced similar issues from a MIM product? This is the first one I have seen that is quite lacking from the factory. I have been impressed by almost all other MIM instruments i have had the pleasure of seeing and playing. As my time with this bass increases, I will update this thread, that is if I decide to keep it.
It could very well be going back in a week. Yeah, I guess the point is when you buya somewhat pricey product you just don't expect that kind of workmanship. A set-up?pickup height adjust?yes. Filing down sharp frets? Not really acceptable. You may know this.if changing out the pups in a Squier, make sure the replacements fit.
I think the Duncan Designs are identical in size to each other. Usually on non-Squier Fenders the bridge pickup is longer than the neck pup.
I am not terribly versed in pickup size but I do own a Squier with Duncans and they did not compare size wise to my other Jazz basses. Has onyone else experienced similar issues from a MIM product? This is the first one I have seen that is quite lacking from the factory. I have been impressed by almost all other MIM instruments i have had the pleasure of seeing and playing. Back in September I ordered a MIM 3 tone Sunburst Reggie Hamilton Jazz bass that took only 2 weeks to arrive at my local music store.
I have to say that right out of the box it was set up nice & they did a nice job on the sunburst finish.I remember the sales rep commenting that he thought the finish on my bass was nicer than the finish on the now made in Mexico Geddy Lee sunburst jazz basses. We placed them next to each other & the difference was noticeable.but that being said. While the sales rep was getting my bass I played the MIM Geddy bass to see how it compared to my CIJ Geddy Lee bass(Black finish) & it played pretty good, though all basses at my local music store get the once over & are playable. However I wasn't impressed with changes Fender has made to the now MIM Marcus Miller Jazz Bass IMO I preffer my MIJ Marcus Miller Jazz bass.
Marcus Miller Fender Bass Japan
Fender moved production of the Geddy & Marcus jazz basses to Mexico last year (around June 2012). I can say after spending more time with the Ged,that it is really a nice instrument. The neck adjustment took a while, as I though it would as I don't like to rush a large neck adjustment. I typically make a small adjustment to the truss rod, then give it a day or so to acclimate, then recheck and re adjust. The frets are now dressed and feel fine. The tuners are ok, but again not anything special.They seem to hold their tuning pretty well, but are quite tight tension wise I wish they were still using the Custom Shop PUPs though.
The vintage PUPs in the Ged aren't bad, but they are not anything special either. Manoj tiwari holi songs free download. They definitely have a some shiny top end on them, but sound somewhat sterile to my ear.
I am contemplating some Nordstrand's, but Im in no rush for a pickup swap really. The Vintage PUPs get the job done.
I can say the Duncan Designed PUPs in my Squier VM '77 have a bit more low end grunt compared to the GED's vintage pups, but are not nearly as 'sizzly'. The Duncan Designed are also a lot quieter. The Badass II bridge is simple enough to setup and seems to stay put, unlike the vintage type bridges I have dealt with in the past. I have Babicz Full Contact Bridges on my Squier and MIM Precision and love em, though they are not for everyone. Their look is far from traditional. I can confidently say the the MIM Geddy Lee will be in my arsenal for some time. I have no intention of returning it now that I finally have the neck finished, though I feel that more work should have been done at the factory to get it ready for a consumer.
Fender Marcus Miller Jazz Bass
I am curious to see how more of the 'Signature' MIM instruments will be comparing to a Japanese made brother.
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